In Coralie Fargeat's new feminist horror flick The Substance, harmful popular appeal criteria are the real monsters. They (female objectification, the disposal of "the old," the spreading of a field improved body system alteration) nourish a creature of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://unusmovie.ttblogs.com/9543739/margaret-qualley-the-substance-2024